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Rome - Die Æsthetik Der Herrschaftsfreiheit: Aufruhr / A Cross Of Fire Album

Rome - Die Æsthetik Der Herrschaftsfreiheit: Aufruhr / A Cross Of Fire Album
Performer: Rome
Title: Die Æsthetik Der Herrschaftsfreiheit: Aufruhr / A Cross Of Fire
Country: Germany
Genre: Electronic
Style:Neofolk
Released: 13 Jan 2012
Catalog number: TRI 422 CD
Label: Trisol
MP3 album szie: 1751 mb
FLAC album size: 2455 mb

Tracklist

1August Spies3:22
2To Be Governed2:18
3The Brute Engine5:59
4Eagle And Serpent2:44
5To Each His Ground3:50
6A Cross Of Fire9:16
7Families Of Eden3:35
8Sons Of Aeeth4:14
9Red Years, Black Years4:29
10The Breaking Part3:54
11Seeds Of Liberation3:59
12Little Rebel Mine4:26

Credits

  • ArtworkBettina Pudmensky
  • Photography By [Portrait]Achim Webel
  • Recorded By, Mixed By, Mastered ByDuke Bauhuin
  • Voice [Spoken Words]Jerome Reuter, Rupert Kraushofer
  • Written-By, Performer, Arranged By, Producer, Words By, Music ByJerome Reuter

Notes

Part 2 of the trilogy 'Die Aesthetik Der Herrschaftsfreiheit'.

℗&© 2012 Trisol Music Group GmbH

Made in EU.

Barcodes

  • Barcode: 4 260063 944222
  • Matrix / Runout: manufactured by optimal media GmbH AB58629-01
  • Mastering SID Code: IFPI L573
  • Mould SID Code: IFPI 9723
  • Label Code: LC 14648
  • Rights Society: GEMA

Companies

  • Record Company – Trisol Music Group GmbH
  • Distributed By – Soulfood Music Distribution
  • Manufactured By – Optimal Media GmbH – AB58629
  • Phonographic Copyright (p) – Trisol Music Group GmbH
  • Copyright (c) – Trisol Music Group GmbH
  • Recorded At – Etages Ion
  • Mastered At – Etages Ion
  • Mixed At – Etages Ion

Short intro

Die Aesthetik Der Herrschaftsfreiheit - Band 2 Aufruhr or a Cross of Fire - Rome. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Die Aesthetik der Herrschaftsfreiheit - Band 1 - Rome. Die Aesthetik der Herrschaftsfreiheit - Band 1 Aufbruch or a Cross of Wheat. Believe Music, Music Video Distributors от лица компании Trisol Muserk Rights ROME is a Luxembourgish neofolk act founded in late 2005 as the main output for the songs of Jerome Reuter and was joined by co-producer Patrick Damiani as official member in early 2008. ROME signed to the Swedish label CMI in 2006 to release an EP titled &1 ROME is a Luxembourgish neofolk act founded in late 2005 as the main output for the songs of Jerome Reuter and was joined by co-producer Patrick Damiani as official member in early 2008. ROME signed to the Swedish label CMI in 2006 to release an EP titled & read more. There are multiple artists with this name: 1 Luxembourgish neofolk act. Listen album. Similar compilations. Die Æsthetik Der Herrschaftsfreiheit. Seeds of Liberation. Jérôme Reuter. Die Æsthetik der Herrschaftsfreiheit. Released 2011. Die Æsthetik der Herrschaftsfreiheit Tracklist. The Chronicles Of Kronstadt Lyrics. Seeds Of Liberation Lyrics. To Each His Storm Lyrics. Sons Of Aeeth Lyrics. August Spies Lyrics. In Cruel Fire Lyrics. The Breaking Part Lyrics. A Cross Of Wheat Lyrics. Little Rebel Mine Lyrics. Part 2 of the trilogy 'Die Aesthetik Der Herrschaftsfreiheit'. 2012 Trisol Music Group GmbH. Made in EU. Codice a barre e altri identificatori. Barcode: 4 260063 944222. Matrix, Runout: manufactured by optimal media GmbH AB58629-01. Mastering SID Code: IFPI L573. Reuters a relatively unique bird when it comes to leftist songwriters. This mission has reached its apotheosis in Die Æsthetik der Herrschaftsfreiheit. The title is the first clue. Die Aesthetik der Herrschaftsfreiheit - Aufruhr, 2012. Unfortunately, the station stopped broadcasting. Perhaps, this is a temporary station problem. You can leave your e-mail and we will let you know when the broadcast of the station will be online again: Or listen to the other country dec name stations
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Reviews: (1)
Renthadral
Renthadral
Its said that every work of art is a political statement. The more apolitical something is, the less touching it may come to the listener (or in reverse, the more brute he may appear to understand what it proposes), thats what we have now as music in modern times, music devoid of any political connotation, perfectly made to alienate with whatever stupidity that may be included. But beware, when I say "political" dont necesarily remit to politics or politicians, in fact i mean to refer to the super-structure in which the civilization spins and the way it generates culture, the politics of life and human order. Only true artists get into that kind of deeper reality, stepping away from the trapments from ideologies and the falacies of politics, the falsity of history and the twisted notion of imposed morality that our culture grants to the masse to understand reality not as it is, but as it should be to favour the power.Its in that sense that this trilogy from Rome becomes political in an almost metaphysical form, departing from the aspect of an also metaphysical freedom as premise for its lyrical development, a freedom of spirit, a purity of action, a liberation from all dominations wether they be powers, authorities, dogmas, faith, morality, hierarchy or class. Rome goes as further as to affirm the irredeemable free spirit that characterize the man aware of his conscience and conscious of his awareness from nature. Sort of an "Übermensch" in an strict Nietzschean sense, Free, therefore without physical, mental or spiritual strains and absolutely determined to do what he please and ready to be free at all costs, through all mediums, wether they may be: Arts, Spiritual quests or War. Appeals to believe in only one thing, the freedom to be, the freedom to do, the freedom to make and to ever adore life as the most magnificent and pure gift.And Rome splendidly display three albums of an excellent craft of lyricism and music altogether, worshipping with a longing soul the free spirit that some men are able to discover and express and the extent of their conviction to protect that faith and nobility. praising the work and life from many men for their efforts and their realizations, their deaths and their martyrdom for their only belief. Once again we see how the poetry that demarks the work reach the level of light and strength necessary to portrait such an inmense task as the aforementioned, and they fail not or get short to ever impress with the finality, both musically and lyrically. The music is always complete, beautifully intertwined with the lyricism expressed, solemn when it needs to be solemn or powerful or light as a feather in an analogy with the freedom that characterize its content. This a masterpiece of modern folklore and even though patentedly European in its direction, it goes beyond as to become universal in its form and to reach the hearts who feel freedom and life as the only true belief that there is.
A literary masterpiece serving as a review and an essential companion to the music itself. Should be included in the future editions of the album.