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Matdonald’s Mind Control - Night Of The Living Synthesizers Album

Matdonald’s Mind Control - Night Of The Living Synthesizers Album
Performer: Matdonald’s Mind Control
Title: Night Of The Living Synthesizers
Genre: Electronic
Style:Experimental
Released: 2004
Catalog number: Mind-009.01, SJ1355DVD
Label: Gristle Audio, Slam Jamz
MP3 album szie: 2413 mb
FLAC album size: 2157 mb

Tracklist

1Night of the Living Synthesizers

Notes

AVAILABLE ON THE IMPOSSIBLES CD / DVD "Slave Education" as bonus track. Slam Jamz Category SJ1355DVD

Short intro

Matdonalds Mind Control. Monkey-Boy's Theme CDr, Single. Gristle Audio. Night Of The Living Synthesizers CDr, Single. Gristle Audio, Slam Jamz. Night of the Living Dead is a live album by the American hard rock band Jackyl. It was released on February 13, 1996 on Mayhem Records. All songs by Jesse Dupree unless otherwise noted. IntroPush Comes to Shove - 4:14. Mental Masturbation - 4:29. Headed for Destruction - 5:00. I Stand Alone - 3:47. Rock-a-Ho Dupree, Jeff Worley, Chris Worley - 5:16. Deeper in Darkness - 4:27. Down on Me - 4:33. Dirty Little Mind - 5:33. Redneck Punk Honeycutt, J. Worley - 3:41. Masons, mind control and living in the matrix are explored with Mason and magick student Edward Maggador Alexander, and he illuminates how people of the Living Deathmatches - Crisis Benoit. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. A friend had loaned him a copy of an album called Zero Time that had been recorded using the worlds largest, most advanced music synthesizer: TONTO, an acronym for The Original New Timbral Orchestra. The mastermind behind TONTO was an Afrod, English bassist-turnedstudio tech named Malcolm Cecil who lived above a midtown-Manhattan advertising recording studio. Like taking acid and discovering that your mind has the power to stop your heart Timothy Crouse wrote in the August 5th, 1971, issue of Rolling Stone. And as Margouleff remembers, they worked insane hours, all hours of the night: We were on Stevie time. Mind Control is all Stephen and a cornucopia of the sounds and styles that he loves: a blend of reggae, rock, R&B, nyabinghi rhythms, flamenco and hip-hop. It's an album with the grit and flavor to rock old school Kingston sound systems and slippery, waxed Miami Range Rovers alike. Features cameos from Damian Jr, Gong Marley, Julian Marley, Mos Def, Ben Harper and Mr. It is preceded by Night of the Living Dead and Dawn of the Dead. Steve Miner directed a remake which was released on February 15, 2008. The song Battlefield, from the This is my battlefield 2004 Panzer AG album samples Captain Rhodes asking one of his soldiers: You think he want to walk around after his dead You think he want to be one of these things The band Through the Eyes of the Dead sampled a clip at the beginning of the song Between the Gardens that Bathe in Blood, released on the Scars of Ages EP. Текст песни: Stumble in somnambulance so Pre-dawn corpses come to life Armies of the dead survive Armies of the hungry ones. Stumble in somnambulance so Pre-dawn corpses come to life Armies of the dead survive Armies of the hungry ones. Stumble in somnambulance so Pre-dawn corpses come to life Armies of the dead survive Armies of the hungry ones Only ones, lonely ones Ripped up like shredded-wheat Only ones, lonely ones Be a sort of human picnic This aint no lovin' This aint no happening This aint no feelin' in my arm No No Oh Oh You think. MK-Ultras mind control experiments generally centered around behavior modification via electro-shock therapy, hypnosis, polygraphs, radiation, and a variety of drugs, toxins, and chemicals. These experiments relied on a range of test subjects: some who freely volunteered, some who volunteered under coercion, and some who had absolutely no idea they were involved in a sweeping defense research program. Hours of paranoia and feeling violent. We experienced horrible periods of living nightmares and even blood coming out of the walls. Guys turning to skeletons in front of me. I saw a camera change into the head of a dog. While essentially a studio album, some tracks are from a 1978 concert featuring new keyboard player T. Lavitz, whose synthesizer work would become an important part of the band's sound. Throughout the album, Steve Morse's fiery guitar, Allen Sloan's Jean-Luc-Ponty-on-Wild-Turkey violin, and Andy West's frenetic, popping bass all play demolition derby amid metrically and harmonically sophisticated compositions that still offer plenty of visceral satisfaction