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Concentus Musicus, Ensemble Für Alte Musik / Henry Purcell - Sämtliche Fantasien Für 3 Bis 7 Violen Da Gamba Album

Concentus Musicus, Ensemble Für Alte Musik / Henry Purcell - Sämtliche Fantasien Für 3 Bis 7 Violen Da Gamba Album
Performer: Concentus Musicus, Ensemble Für Alte Musik / Henry Purcell
Title: Sämtliche Fantasien Für 3 Bis 7 Violen Da Gamba
Country: Austria
Genre: Classical
Style:Baroque
Released: 1987
Catalog number: 423 419-2
Label: Amadeo
MP3 album szie: 2451 mb
FLAC album size: 2667 mb

Tracklist

1Fantasia , Dreistimmig
2Fantasia , Vierstimmig. 23. Juni 1680
3Fantasia , Vierstimmig. 19. August 1680
4Fantasia , Vierstimmig. 22. Juni 1680
5Fantasia , Vierstimmig. 19. Juni 1680
6Fantasia , Vierstimmig. 11. Juni 1680
7Sämtliche Fantasien Für 3 Bis 7 Violen Da Gamba
8Fantasia , Sechsstimmig. In Nomine
9Fantasia , Vierstimmig. 30. Juni 1680
10Fantasia , Siebenstimmig. In Nomine
11Fantasia , Vierstimmig. 10. Juni 1680
12Fantasia , Funfstimmig. Upon One Note
13Fantasia , Vierstimmig. 14. Juni 1680
14Fantasia , Vierstimmig. 31. August 1680

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
BG-676Purcell / Concentus Musicus, Vienna, Nikolaus Harnoncourt Purcell / Concentus Musicus, Vienna, Nikolaus Harnoncourt - Purcell: The Fantasias for 3-7 Viols (Complete) ‎(LP)Vanguard Recording SocietyBG-676USUnknown
BGS-70676Purcell, Concentus Musicus, Nikolaus Harnoncourt Purcell, Concentus Musicus, Nikolaus Harnoncourt - Purcell: The Fantasias For Viols (Complete) ‎(LP, Album)The Bach GuildBGS-70676US1965
AVRS 6306Henry Purcell, Concentus Musicus, Ensemble für alte Musik Henry Purcell, Concentus Musicus, Ensemble für alte Musik - Sämtliche Fantasien für 3 bis 7 Violen da Gamba ‎(LP, Album)AmadeoAVRS 6306AustriaUnknown
MHS-1767Henry Purcell The Fantasias For Viols ‎(LP)Musical Heritage SocietyMHS-1767US1975

Credits

  • Composed ByHenry Purcell
  • EnsembleConcentus Musicus, Ensemble Für Alte Musik
  • Viola da GambaAlice Harnoncourt, Elli Kubizek, Ernst Knava, Hermann Höbarth, Josef De Sordi, Kurt Theiner
  • Viola da Gamba, Liner Notes, Directed ByNikolaus Harnoncourt

Notes

Standard jewel case with burgundy red disc-tray.

(P) 1963
(C) 1987 Amadeo Österreichische Schallplatten Ges.m.b.H.

Made in West Germany/Printed in West Germany

Barcodes

  • Barcode: 028942341920
  • SPARS Code: AAD
  • Rights Society: GEMA
  • Matrix / Runout: 423 419-2 01
  • Matrix / Runout (Inner ring): MADE IN W. GERMANY BY PDO

Companies

  • Copyright (c) – Amadeo Österreichische Schallplatten Ges.m.b.H.
  • Made By – PDO, Germany

Short intro

Формируйте собственную коллекция коллекцию записей Purcell , Concentus Musicus, Vienna , Nikolaus Harnoncourt. Henry Purcell. Title: Sämtliche Fantasien für 3 bis 7 Violen da Gamba. Composed By Henry Purcell. Orchestra Concentus Musicus, Vienna. Viola da Gamba Alice Harnoncourt, Elli Kubizek, Ernst Knava, Hermann Höbarth, Josef De Sordi, Kurt Theiner. Viola da Gamba, Liner Notes Nikolaus Harnoncourt. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Listen free to Concentus Musicus Wien Henry Purcell: Fantasias & Suites The Fantasias for Viols complete, Three-Voice Fantasia No. 1 in D Minor,, The Fantasias for Viols complete, Three-Voice Fantasia No. 2 in F Major and more. 60 tracks 115:20. Do you know any background info about this album Start the wiki. Забыли пароль Concentus Musicus Wien. Henry Purcell: Fantasias & Suites. lp the-concentus-musicus-ensemble-for-old-mus concentus-musicus-wien-nikolaus-harnoncour. ark:13960t4tj6pc1t. IN COLLECTIONS. Album Recordings. Boston Public Library Vinyl LP Collection. Music, Arts & Culture. Nikolaus Harnoncourt founded this period instrument ensemble to make early music sound as vibrant and inspiring as newer music. Read Full Biography. Overview . Biography . Discography . Songs . An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier broadly, music produced before about 1750. Most, but not all, of these groups are advocates of historically informed performance, and attempt to re-create the music as it might have sounded at the time it was written, using period instruments and modifying playing techniques according to the most recent scholarly research into music of the time